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With its blend of fool’s wisdom and deeply felt humanity, Panorama City is heir to Marilynne Robinson’s Gilead and Steve Martin’s The Jerk.
From his deathbed*, twenty-eight-year-old Oppen Porter—an openhearted, bicycle-riding, binocular-toting, self-described “slow absorber”—unspools into a cassette recorder his tale of self-determination, from “village idiot” to “man of the world,” for the...
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